Tag: Find Your Light
Let the Fabric Work: Tuguminoeda
English follows... 参加作家紹介:ツグミノエダ 『縫いもの』 彼女が針と糸に出合って、日々布と対話をするうちに、天職に気づいてしまい、いつしか図書館の仕事も辞めてしまい、今のツグミノエダになるまでを、そばで見てきました。 使い込まれて柔らかくなった布が綻びそうなギリギリを小さな宝石みたいな糸の玉が留めていく。 Art Beyond Intention...
Blessed by Nature
Sometimes, a single book can change the course of a life. For Taketsune Kubota, that book was E Kasuri—one of the first holistic study of a distinctive style of ikat textile that features more pictorial, expressive motifs than its geometric counterparts. At the time,...
I’d Be Content to Die Tomorrow.
Yoshiko Munehiro, Weaver Yoshiko Munehiro grew up in a home where she was constantly surrounded by her father’s apprentices at work. Her father, Rikizo Munehiro, was a designated holder of an Intangible Cultural Property (also known as a Living National Treasure) for...
Used Cloth Only
Kinuyo said “I only use second-hand cloth.” I knew she did, but never thought it was the “only” material she used. “Or scraps,” she added. “It’s interesting... Think about it: some parts of cloth get picked up to be used for dresses or bags, and some happen to be left...
Walk on the Wild Side.
Would you believe that the most risk-taking, going-against-the-norm people I've met in my life are usually in the crafts -traditional, even- world? I grew up being told that handicrafts wouldn’t make money; that It’s the industry of migi kata sagari - right shoulder...
Let the Fabric Work: Tuguminoeda

Let the Fabric Work: Tuguminoeda

English follows... 参加作家紹介:ツグミノエダ 『縫いもの』 彼女が針と糸に出合って、日々布と対話をするうちに、天職に気づいてしまい、いつしか図書館の仕事も辞めてしまい、今のツグミノエダになるまでを、そばで見てきました。 使い込まれて柔らかくなった布が綻びそうなギリギリを小さな宝石みたいな糸の玉が留めていく。 Art Beyond Intention...

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Blessed by Nature

Blessed by Nature

Sometimes, a single book can change the course of a life. For Taketsune Kubota, that book was E Kasuri—one of the first holistic study of a distinctive style of ikat textile that features more pictorial, expressive motifs than its geometric counterparts. At the time,...

read more
I’d Be Content to Die Tomorrow.

I’d Be Content to Die Tomorrow.

Yoshiko Munehiro, Weaver Yoshiko Munehiro grew up in a home where she was constantly surrounded by her father’s apprentices at work. Her father, Rikizo Munehiro, was a designated holder of an Intangible Cultural Property (also known as a Living National Treasure) for...

read more
Used Cloth Only

Used Cloth Only

“I don’t need to worry about the ‘chosen ones,’ they naturally shine. I’m more interested in shedding light on those who otherwise will be forgotten.”

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Walk on the Wild Side.

Walk on the Wild Side.

I grew up being told that handicrafts wouldn’t make money; that It’s the industry of Migi Kata Sagari – right shoulder down.

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Excavating the Shape Beneath

Excavating the Shape Beneath

Here, I am reminded of the words of a Buddhist sculptor, who says it’s not him to give shape to a piece of wood: rather, his work is to help it manifest the shape hidden beneath, which has always existed within. 

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How to Break The Pattern No Longer Serving You

How to Break The Pattern No Longer Serving You

From that practice, though, something was starting to manifest. He realised what he had learnt in his high school time was the pattern to win a high school tournament. He perfectly fitted himself into the mould. But at the university and for the world-level competition, he had to break out of it. And he had to do it by himself.

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The last TOTEI

The last TOTEI

Spatula 7 years, Brush 3 years Senro Sato went to learn urushi lacquerware, also known as the japanning technique, at the age of 22. He had one year left to finish college, but his mentor Gonroku Matsuda (Living National Treasure) strongly advised him to go learn...

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